James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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James Tissot La Demoiselle de Magasin (The Shop Girl) (nn01) oil painting


La Demoiselle de Magasin (The Shop Girl) (nn01)
1883-85 Oil on canvas,58 x 40 in/147.3 x 101.6 cm Art Gallery of Ontario,Toronto,Gift from the Corporation Subscription Fund,1968
Painting ID::  22880
James Tissot
La Demoiselle de Magasin (The Shop Girl) (nn01)
1883-85 Oil on canvas,58 x 40 in/147.3 x 101.6 cm Art Gallery of Ontario,Toronto,Gift from the Corporation Subscription Fund,1968
   
   
     

James Tissot Holiday (The Picnic) (nn03) oil painting


Holiday (The Picnic) (nn03)
c 1876 Oil on canvas 76.2 x 99.4 cm 30 x 39 1/8 in Tate Gallery London
Painting ID::  23512
James Tissot
Holiday (The Picnic) (nn03)
c 1876 Oil on canvas 76.2 x 99.4 cm 30 x 39 1/8 in Tate Gallery London
   
   
     

James Tissot Self-Portrait oil painting


Self-Portrait
mk52 c.1865 Oil on wood 49.8x30.2cm M H de Young Memorial Museum,San Francisco
Painting ID::  27020
James Tissot
Self-Portrait
mk52 c.1865 Oil on wood 49.8x30.2cm M H de Young Memorial Museum,San Francisco
   
   
     

James Tissot Colonel Burnaby oil painting


Colonel Burnaby
1870 Oil on canvas 49.5 x 59.7 cm (19 1/2 x 23 1/2 in) National Portrait Gallery (mk63)
Painting ID::  27940
James Tissot
Colonel Burnaby
1870 Oil on canvas 49.5 x 59.7 cm (19 1/2 x 23 1/2 in) National Portrait Gallery (mk63)
   
   
     

James Tissot Good-bye-On the Mersey oil painting


Good-bye-On the Mersey
1881 oil on canvas 83 x 52.9 cm (53 x 21 in) Forbes Magazine Collection New York (mk63)
Painting ID::  28374
James Tissot
Good-bye-On the Mersey
1881 oil on canvas 83 x 52.9 cm (53 x 21 in) Forbes Magazine Collection New York (mk63)
   
   
     

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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